Friday 20 February 2015
Dhathuputhri Episode
Dathuputhri Mazhavil Manorama Episode 1; 02nd Feb 2015
Dathuputhri Mazhavil Manorama Episode 2, 03rd February 2015
Dathuputhri Mazhavil Manorama Episode 3; 4th February 2015
Wednesday 4 February 2015
YENNAI ARINDHAAL MOVIE REVIEW
YENNAI ARINDHAAL MOVIE REVIEW
CAST AND CREW
Production: Shri Sai Raam Creations
Cast: Ajith Kumar, Anushka, Arun Vijay, Trisha
Direction: Gautham Menon
Screenplay: Gautham Menon
Story: Gautham Menon, Sridhar Raghavan, Thiagarajan Kumararaja
Music: Harris Jayaraj
Background score: Harris Jayaraj
If a story has to be told with an individual who enjoys a larger than life persona off-screen, isn't that a challenge? With the premise of the story being simple and intact, Yennai Arindhaal is what Sathyadev experiences as a timid boy, an uptight cop, a passionate lover, a loving father and a killer with a heart. Thanks to Gautham, Ajith is utilized far more than the usual gimmicks and compulsions of a commercial hero. Ajith is made to cry, look defeated, feel his pain, and also get hurt quite a lot of times. If the ardent, dedicated followers of Ajith can accept Yennai Arindhaal, then the actor Ajith is coming closer to you.
What if all that you want in life tends to move away from you? What will you do to save the rest from leaving you? Ajith as Sathyadev delivers the right emotion and is effortless with the multiple transformations his character goes through. With quintessential similarities between the real Ajith and Sathyadev, you tend to see the gentler, well-groomed, well-bred and a genuine Ajith on screen. With the envying looks and the sweltering screen presence, Ajith is undeniably one of the smartest looking heroes we have, giving no work for the make-up artists. If you have a problem differentiating the class Ajith and the mass Ajith, then Yennai Arindhaal might give you an alternate experience of watching a Thala movie.
Gautham's untiring efforts in positioning womanhood, the unadulterated love for somebody, addressing the plight of single parents, the clinical touch of a father, the insecurity of a villain and the pain of losing something, is a tried and tested template of his and he uses it here too.
Trisha has replaced Jyothika as Gautham's favorite female lead and she continues to give us the same feeling since the Lesa Lesa days, with her beauty and elegance. She excels as a mother and scores with her love filled eyes. With all the focus on Ajith and Ajith only, Anushka gets a fair share of the pie with her non-dramatic acting. If a baddie needs to trouble Sathyadev, he has to look powerful, think cunning and not have second thoughts about hitting. Arun Vijay looks macho, has a flawless body, wears rich costumes and his hairstyle will very soon set a trend. Victor's (Arun) wife, Parvathy Nair gets a noticeable role and has perfectly done what has been told. Vivek evokes laughter when you badly need it and is sticking to his Padikathavan days' facial expressions.
Harris' songs emotionally cement Yennai Arindhaal. Back to back numbers in the first half will enlarge your expectations on the second half. Kudos to Gautham for making songs a part of the narrative and preventing them from becoming obstrucive. With so much to tell in a single film, YA spends a lot on establishing, then finally dwells into a conflict, then diving into a denouement.
If actors need to bring a vigorous physical change and act their lungs out, Ajith can gravitate the same feeling with a walk and a fearsome look. Special credits to him for opening up to a story like this and giving what it needs, than eyeing for moments that would multiply his ever-growing fan base.
Coming to the technicalities, Dan's camerawork is equally stunning and sensually colorful. He is a promising find. Anthony is Gautham's partner-in-crime and he does set the much needed pace and gives an extra hand with the non-linear narration. His cuts and transitions add an overall value. Silva's realistic stunts look painful and feel hard. Harris' BGM with pulsating dub-step, guitars on distortion and sax with the pianos in the backing, gratify every dimension of the emotions portrayed.
If you are going to see applause for the usage of foul language, then it's Yennai Arindhaal. Some prompted acting, Gautham templated dialogues, an already exposed story are few minuses that Yennai Arindhaal carries. The oscillations between the 'Mellisaana Kodu' create a stir.
Yennai Arindhaal is a feeling, a learning that just takes sometime to tell you the story, by not dramatizing events and exaggerating factors. Finally, Gautham should be credited for making a movie not for Ajith fans, but one which Ajith's fans will enjoy! Isn't that what good cinema is about?
What if all that you want in life tends to move away from you? What will you do to save the rest from leaving you? Ajith as Sathyadev delivers the right emotion and is effortless with the multiple transformations his character goes through. With quintessential similarities between the real Ajith and Sathyadev, you tend to see the gentler, well-groomed, well-bred and a genuine Ajith on screen. With the envying looks and the sweltering screen presence, Ajith is undeniably one of the smartest looking heroes we have, giving no work for the make-up artists. If you have a problem differentiating the class Ajith and the mass Ajith, then Yennai Arindhaal might give you an alternate experience of watching a Thala movie.
Gautham's untiring efforts in positioning womanhood, the unadulterated love for somebody, addressing the plight of single parents, the clinical touch of a father, the insecurity of a villain and the pain of losing something, is a tried and tested template of his and he uses it here too.
Trisha has replaced Jyothika as Gautham's favorite female lead and she continues to give us the same feeling since the Lesa Lesa days, with her beauty and elegance. She excels as a mother and scores with her love filled eyes. With all the focus on Ajith and Ajith only, Anushka gets a fair share of the pie with her non-dramatic acting. If a baddie needs to trouble Sathyadev, he has to look powerful, think cunning and not have second thoughts about hitting. Arun Vijay looks macho, has a flawless body, wears rich costumes and his hairstyle will very soon set a trend. Victor's (Arun) wife, Parvathy Nair gets a noticeable role and has perfectly done what has been told. Vivek evokes laughter when you badly need it and is sticking to his Padikathavan days' facial expressions.
Harris' songs emotionally cement Yennai Arindhaal. Back to back numbers in the first half will enlarge your expectations on the second half. Kudos to Gautham for making songs a part of the narrative and preventing them from becoming obstrucive. With so much to tell in a single film, YA spends a lot on establishing, then finally dwells into a conflict, then diving into a denouement.
If actors need to bring a vigorous physical change and act their lungs out, Ajith can gravitate the same feeling with a walk and a fearsome look. Special credits to him for opening up to a story like this and giving what it needs, than eyeing for moments that would multiply his ever-growing fan base.
Coming to the technicalities, Dan's camerawork is equally stunning and sensually colorful. He is a promising find. Anthony is Gautham's partner-in-crime and he does set the much needed pace and gives an extra hand with the non-linear narration. His cuts and transitions add an overall value. Silva's realistic stunts look painful and feel hard. Harris' BGM with pulsating dub-step, guitars on distortion and sax with the pianos in the backing, gratify every dimension of the emotions portrayed.
If you are going to see applause for the usage of foul language, then it's Yennai Arindhaal. Some prompted acting, Gautham templated dialogues, an already exposed story are few minuses that Yennai Arindhaal carries. The oscillations between the 'Mellisaana Kodu' create a stir.
Yennai Arindhaal is a feeling, a learning that just takes sometime to tell you the story, by not dramatizing events and exaggerating factors. Finally, Gautham should be credited for making a movie not for Ajith fans, but one which Ajith's fans will enjoy! Isn't that what good cinema is about?
Verdict: It's Gautham's movie with Ajith adding colour admirably (3/5)
കാവ്യ മാധവന് എട്ട് മാസം ഗര്ഭണിയാണ്.
കാവ്യ മാധവന് എട്ട് മാസം ഗര്ഭണിയാണ്.
ആകാശവാണി എന്ന ചിത്രത്തിലെ നായികയാണ് കാവ്യയെന്നോ, ചിത്രത്തില് കാവ്യ മാധവന് എട്ട് മാസം ഗര്ഭണിയായ സ്ത്രീയെയാണ് അവതരിപ്പിക്കുന്നതെന്നോ പാവം പ്രദേശവാസികള്ക്ക് അറിയില്ലായിരുന്നു. തന്നെ കുറിച്ച് താന് തന്നെ ഗോസിപ്പ് അടിച്ചുവിടുന്നതിന്റെ ത്രില്ലിലായിരുന്നു കാവ്യ. നവാഗതനായ ഖയസ് മിലാൻ സംവിധാനം ചെയ്യുന്ന ചിത്രത്തില് വിജയ് ബാബുവാണ് നായകന്. അനൂപ് മേനോനൊപ്പം ഷി ടാക്സി എന്ന ചിത്രത്തിന്റെ ഷൂട്ടിങ് പൂര്ത്തിയാക്കിയതിന് ശേഷമാണ് കാവ്യ പുതിയ ചിത്രത്തിലേക്ക് കടന്നത്. എന്തായാലും ഇനി എവിടെയെങ്കിലും കാവ്യ ഗര്ഭിണിയാണെന്ന് വായിച്ച് ഞെട്ടേണ്ടതില്ല. കാവ്യ മാധവന് എട്ട് മാസം ഗര്ഭണിയാണ്. പക്ഷെ ആകാശവാണി എന്ന പുതിയ ചിത്രത്തിലാണെന്ന് മാത്രം!
Tuesday 3 February 2015
Amala Opposite Suriya in Pandiraj's Next!
Amala opposite Suriya in Pandiraj's next!
Marriage has added a further glow to Amala's sparkling personality.
Her Mili released last week was the most talked about movie in Malayalam and Amala is on cloud nine as it was her most difficult role and she pulled it off with consummate ease.
Critics are raving about her performance and top directors have called her one the rare glamourous actress who can really act!
And the latest buzz is that, she will be doing the coveted role in Pandiraj's next film for Suriya's 2D Entertainments with kids in lead roles. It is said to be a performance oriented role in which Suriya plays her husband. Remember, Jyothika was rumoured to be doing this role?
There were reports in Kerala that Manju Warrier was approached to do this role. Though there is no official confirmation from Amala or Pandiraj on this, Redcarpet Media as usual gets inside information and an announcement will be out soon.
Anu Krishna Latest Movie
Actress anu krishna latest movie oru kadhai oru kaadhal
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